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Following a practice that moves between reader and book, artist and place, body and infrastructure, material and memory, it sheds light on work that treats reading — and sleep — as acts of resistance.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e52 pages, 21 × 29.7 cm, Softcover, English, ISBN 9791095991861\u003c\/span\u003e\u003c\/p\u003e","brand":"Empire Books","offers":[{"title":"Default Title","offer_id":67508735672365,"sku":null,"price":25000.0,"currency_code":"KRW","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0708\/1836\/5485\/files\/9791095991861_cover_thumbnail.jpg?v=1789549163"},{"product_id":"revue-faire-34-an-award-what-is-a-most-beautiful-book","title":"Revue Faire 34 - An award: What is a most beautiful book?","description":"\u003cp\u003e계몽주의 시대에 미학이 자율성을 얻으면서 '아름다움'이 '선함'과 '유용함'에서 분리된 이후, 타이포그래피에서 '아름다운'이라는 용어가 어떻게 변해왔는지를 탐구하는 《르뷔 페르 Revue Faire》 호입니다. 1943년 얀 치홀트 Jan Tschichold의 영향 아래 제정된 '가장 아름다운 스위스 책 Most Beautiful Swiss Books' 상이 시작된 이후를 중심으로 다룹니다.\u003c\/p\u003e\n\u003cp\u003eThis issue of Revue Faire traces how the term 'beautiful' has shifted in typography since the Enlightenment, when aesthetics gained autonomy and 'beauty' split off from 'goodness' and 'usefulness.' 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